Overview
Paper is about Phil Jackson and how he used narrative theory and identification theory to be successful while commuicating with his players
Narrative theory:
Narrative theory is a multidisciplinary field of study that examines the structure, function, and effects of narratives or stories in various contexts, including literature, film, media, psychology, and communication. At its core, narrative theory seeks to understand how stories are constructed, conveyed, and interpreted, as well as the ways in which they shape individuals' perceptions, beliefs, and behaviors.
Key concepts within narrative theory include:
- Narrative Structure: This encompasses the elements that make up a narrative, such as plot, characters, setting, and themes. Narrative theorists analyze how these elements are organized and interconnected to create meaning and coherence within a story.
- Narrative Function: This refers to the purpose or role that narratives serve within a cultural, social, or psychological context. Narratives can entertain, educate, persuade, or provide a means for individuals to make sense of their experiences and the world around them.
- Narrative Interpretation: This involves the process of understanding and interpreting narratives, including the ways in which audiences engage with and make sense of stories. Narrative theorists explore how individuals construct meaning from narratives based on their cultural background, personal experiences, and social context.
- Narrative Effects: These are the impacts or consequences of engaging with narratives, which can include changes in attitudes, beliefs, emotions, and behaviors. Narrative theorists examine how exposure to different types of stories can influence individuals' perceptions, identities, and actions.
Overall, narrative theory provides a framework for analyzing the power of storytelling in shaping human thought, communication, and culture across diverse contexts. It offers valuable insights into the ways in which narratives shape our understanding of ourselves, others, and the world we inhabit.
Identification:
Identification in communication refers to the process by which individuals relate to or feel connected with others based on shared characteristics, values, experiences, or identities. It involves perceiving similarities between oneself and another person or group, which can lead to a sense of affiliation, belonging, or solidarity.
Key aspects of identification in communication include:
- Shared Identity: Individuals may identify with others who share similar demographic characteristics (e.g., age, gender, ethnicity), social identities (e.g., profession, political affiliation, religious beliefs), or personal experiences (e.g., shared challenges, triumphs, or hardships).
- Symbolic Representation: Identification can also occur through symbolic representation, where individuals associate themselves with particular symbols, icons, or representations that evoke shared meanings or values. For example, people may identify with a sports team, brand, or cultural symbol that represents something meaningful to them.
- Emotional Connection: Identification often involves an emotional component, where individuals feel empathy, compassion, or resonance with others who are perceived as similar or relatable. This emotional connection can foster feelings of intimacy, trust, and mutual understanding.
- Group Membership: Identification can occur within social groups or communities, where individuals feel a sense of belonging and solidarity with others who share a common identity or affiliation. Group membership provides a sense of social support, validation, and collective identity.
In communication theory, identification plays a crucial role in persuasion, social influence, and relationship building. When communicators are able to establish a sense of identification with their audience, they are more likely to gain trust, credibility, and influence. Effective communicators often use strategies such as storytelling, shared language, and targeted messaging to facilitate identification and connection with their audience.
On Episode 3 of the Last Dance, Phil Jackson tells a story to dennis rodman about a tribe in Oklahoma and this is a great example on how he uses narrative with his players. please include this example and more you can find in the Last Dance (Netflix). Please, if you have to look for sources, go to https://zsr.wfu.edu
INSTRUCTIONS 👇
Your finished project must include the elements outlined below and should range from 11-13 pages in length depending on the scope and character of your project design.
a) Introduction: Like any critical paper, the introduction orients the reader as to what is coming. This introduction should preview the problem or question in an interesting and relevant manner; it should preview the critical approach or orientation and the purpose for the discussion; anticipate the “so what” question and answer it. What impact do you believe your analysis will have on understanding the invention and circulation of this discourse? In effect, this section previews the argument you intend to make regarding the significance, form, and/or function of the issue under study. This section MUST include a Thesis Statement regarding what you intend to do, how you intend to do it, and why you will do it. [1-2 pages]
b) Literature Review: This section should demonstrate your capacity to find, understand, and organize material that is directly relevant to your study. Your review cannot account for all theorists and writings that relate to your theme, so you must make choices based on the specifics of your problem. [2-3 pages]
c) Description/Discussion of Critical Approach or Theory: Describe the approach you will be using for your analysis. Delineate any specific features which are of particular importance— we have sometimes referred to the features of theory as conceptual units. You must be sure to link the approach to your overall argument or thesis. [2-3 pages]
d) Analysis: This is the section in which you accomplish the analysis you promised in your thesis statement. Follow the thesis like a roadmap. If you find that the statement must be altered, do so but change the statement in the introduction. [4-6 pages]
e) Conclusions/Contribution to Knowledge: Go back to the central issues of your argument or thesis statement. Review your major findings. Clarify how the answer(s) to the question(s) furthers our understanding of how black culture is re-made in specific historical contingencies. Suggest extended implications of your analysis. [1-2 pages]