Overview
Q1: How do One, Two, Three and Irma la Douce reflect and/or defy the changing aesthetics of Hollywood films of the 1960s? Discuss at least one element of the look of each film (i.e. cinematography, costumes, production design, etc.).
Q2: Discuss at least two parts of The Fortune Cookie which would have previously been a problem when the Production Code was being more rigidly enforced. They can be lines of dialogue, images, plot points, etc.
FEW SENTENCES FOR EACH QUE