Overview
Essay Requirements:
- Research Question: Using Foucault’s approach, outline and explore the connection between gender, power, and the body.
- Referencing Style: Harvard is the required referencing style.
- Formatting:
- Line Spacing: Assessed essays should be 1.5 or double line spaced.
- Font: Use Arial font in at least size 12.
- Page Numbering: Every page should be numbered for easier marking and specific feedback.
- Length: The essay should be approximately 4000 words.
May Useful References (Not Mandatory):
- Butler, J. 1990. Gender trouble: feminism and the subversion of identity. New York: Routledge.
- Section 1.1 “Women” as the subject of feminism (pp.2-8)
- Section 1.2 “The compulsory order of sex/gender/desire (pp.8-17)
- Section 2.5 “Reformulating prohibition as power” (in particular pp. 97-105 which is a reading of Gayle Rubin)
- Section 3.4 “Bodily inscriptions, performative inspections” (in particular pp.183-193 “from interiority to gender performances")
- Butler, J. 1993. Bodies that matter: on the discursive limits of ‘sex’. New York: Routledge.
- Introduction (in particular pp. xi-xx, up to but not including the section "performativity as citationality")
- Section 1 "bodies that matter" (pp.3-6, up to but not including the section "matters of femininity")
- Barad, K. 2007. Meeting the universe halfway: quantum physics and the entanglement of matter and meaning. Durham and London: Duke University Press ‘Getting real: technoscientific practices and the materialization of reality’.
- Benhabib, S. 1995. Feminism and postmodernism: an uneasy alliance. In: Benhabib, S., Butler, J. Cornell, D. and Fraser, N. eds. Feminist contentions: a philosophical exchange. New York and London: Routledge.
- Brickell, C. 2003. Performativity or performance? Clarifications in the sociology of gender. New Zealand Sociology. 18(1), pp.158-178.
- Bordo, S. 1992. Postmodern subjects, postmodern bodies. Feminist Studies. 18(1), pp.159-175.
- Butler, J. 1988. Performative acts and gender constitution: an essay in phenomenology and feminist theory. Theatre Journal. 40(4), pp.519-531.
- Butler, J. 1994. Gender as performance – an interview with Judith Butler. Radical Philosophy. 67(Summer).
- Fraser, N. 1995. False antithesis: a response to Seyla Benhabib and Judith Butler. In: Benhabib, S., Butler, J. Cornell, D. and Fraser, N. eds. Feminist contentions: a philosophical exchange. New York and London: Routledge.
- Mills, C. 2003. Contesting the political: Butler and Foucault on power and resistance. The Journal of Political Philosophy. 11(3), pp.253-272.
- Namaste, V. 2009. Undoing theory: the ‘transgender question’ and the epistemic violence of Anglo-American feminist theory. Hypatia. 24(3), pp.11-32.
- Nelson, L. 1999. Bodies (and spaces) do matter: the limits of performativity. Gender, Place and Culture. 6(4), pp.331-353.
- Nussbaum, M. 1999. The Professor of Parody: The hip, defeatist feminism of Judith Butler. The New Republic. 220(8). Available at: The New Republic
- Prosser, J. 1998. Second skins: the body narratives of transsexuality. New York: Columbia University Press. ‘Judith Butler: queer feminism, transgender, and the transubstantiation of sex’.
- Salih, S. 2002. Judith Butler. London and New York: Routledge.
- Schep, D. 2012. The limits of performativity: a critique of hegemony in gender theory. Hypatia. 27(4), pp.864-880.
- Stryker, S. 1994. My words to Victor Frankenstein above the village of Chamounix: performing transgender rage. GLQ. 1(3), pp.237-25.
- West, C. and Zimmerman, D. 1987. Doing gender. Gender & Society. 1(2), pp.125-151.